Born in Sheffield, England, by the age of nine he was doing sketches and drawing cartoons. At age of thirteen he won a scholarship to study nights at the Sheffield School of Art. In 1911 he came to Toronto to work as an engraver, his fellow employees included Tom Thomson and Frank Johnston. It was through these men that he developed his interested in painting the Canadian landscape. In the summer of 1916 he was commissioned to paint the activities of the Canadian armed forces around Halifax, he also did many other paintings and drawings while there. In 1919 he moved back to Toronto to become vice-principal of the Ontario School of Art. Lismer and other artists associated with the Group of Seven made numerous trips to the northern sections of Ontario where he created some of his best known works. He would make sketches, and during the winters in Toronto did most of his painting. His works have been collected throughout the world and can also be viewed in the National Gallery of Canada.

Born in Toronto, he studied painting under William Cruikshank and G.A. Reid at the Ontario School of Art. Later attended the Pennsylvania Academy of Fine Art. During the first World War he produced over seventy works. After the war he made several trips to Northern Ontario and in 1920 he became one of the founding members of the Group of Seven, bur only stayed as a member for two years. This was mainly due to his desire to paint the Canadian wilderness in a less controversial style. He established a summer art school at Georgian Bay in 1930 for ten years. After that he made yearly sojourns to the Arctic regions, painting Eskimos, trappers, miners and nature, in 35 to 40 below zero temperatures. The Saskatoon Art Centre, Art Gallery of Ontario and National Art Gallery of Canada are some of the public collectors of his works.

Alfred Joseph Casson

Born in Toronto, he started art studies at Ryerson School and later at the Hamilton Technical School, the Ontario College of Art and then to The Toronto Central Technical School. He painted with Franklin Carmichael for seven years and met the Group of Seven at the Arts and Letter Club. Casson, Carmichael and Brigden formed the Canadian Society of Painters in Watercolour in 1925, and this led to his becoming a member of the Group, replacing Franz Johnston. Most of his large canvases of the Haliburton and Lake Superior regions were done between 1926 an 1930. His style changed in 1944 when pattern became the vital element of his work.

Perhaps some of Casson's attention to design was due to his growing interest in various types of reproductions of artists work. He has lectured on art to a number of centres in Ontario, and is represented at the Art Gallery of Ontario as well as most major galleries in Canada.

This exceptional oil painting by A.Y.Jackson was painted on his second visit to Quebec accompanied by A.H. Robinson. It depicts the ice break-up of the St. Lawrence River from Levi looking north to Quebec city.

"A.Y. Jackson's Quebec paintings have always been considered one of the most important facets of his work"

"In March 1922, A.Y. Jackson and A.H. Robinson returned to the South Shore, this time sketching around Levis and Bienville, opposite Quebec."

Reid, Dennis. "The Group of Seven." Ottawa: National Gallery of Canada, 1970.

Excerpts from "A Painter's Country; the autobiography of A.Y. Jackson":

"One of our favourite sketching locations was on the Canadian National tracks beside the river, where we could look across to Quebec, with the ice drifting up and down in the foreground."

"In March when the snow was melting, when the roads were covered with slush and the ice was going up and down the river with the tides, it was a fascinating place to paint.